Today’s post doesn’t feature any horses or carriages. But it does have a little bit of both local and Spanish flavor … to continue with our occasional look at life, history, and food here in Lexington, and with our recaps of the recent CAA trip to Sevilla.

One of our local food treasures is a downtown shop called Wine+Market.

A.J. and I often stop there for Friday-evening wine tastings. Or to pick up a bottle, or two, of wine. Or to get dessert for later, in the form of a few incomparable made-from-scratch cookies and/or macarons. 

But today, for the first time, we ate lunch there … finally trying a couple of items from the sandwich menu we’ve been drooling over.

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A.J.'s grilled sandwich with chorizo and manchego (see? Spanish flavors!)

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I took this photo with my phone, as that was the only camera I happened to have with me, and I do realize that it’s not the best. The sandwich, however, was pretty darned awesome, as was the one I tried: ham, Swiss cheese, and organic fig spread on toasted whole-wheat bread.

For proper photos, and a lovely review, of the delightful W+M, check out this blog post by Stella (who also makes all the aforementioned cookies and macarons; although, when she wrote the post last fall, she wasn’t yet baking for W+M).

One more Spanish-flavor connection: The wine-shop portion of W+M is the only place in Lexington we’ve found proper (dark, sweet, raisin-y) one-hundred-percent Pedro Ximenez sherry. With that, or a cream sherry, a dry Fino, or an even drier Manzanilla (all of which we can find at a variety of wine shops) — along with some homemade paella … or garlic shrimp … or cheese, ham, and olives — on a crazy hot day like we’ve had here lately, and it’s easy to pretend we’re on a mini-vacation in Spain. Ahhhh.

CAA member and artist Jean Clagett is in the process of creating a sculpture of dressage stallion Harmony’s Rousseau, and she sent this photo and progress report.

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this third-scale clay model photo of Harmony’s Rousseau has been approved by Leslie Malone and Suzanne Hassler for a (larger) sculpture at their new dressage facility in Chesapeake City, Maryland (photo courtesy of Jean Clagett)

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I spent a week working directly in front of Rousseau. It was fantastic! If I had a question, all I had to do was to look at him in his stall, and Suzanne was always happy to give her input about any little detail related to dressage, tack, or Rousseau himself. The Malones have traveled extensively with Scott and Suzanne Hassler to dressage centers in Germany, and Leslie wants to make a comparable facility here in the U.S. This was her original inspiration in commissioning the life-sized sculpture.

When I was in Colorado, I lived across the road from the Malones and did some work for them there. When Leslie saw my sculpture of Bruce Davidson at the 2010 WEG dressage finals at the Kentucky Horse Park, she replied to my inquiry about doing another project for her new facility at River’s Edge, and here we are! I am sure that carriage drivers, too, will be hearing more about this lovely new facility, as Leslie also owns Markus, who is being shown by driver Paul Maye.

It’s great to work with someone who appreciates how much work goes into one of these projects, and also provides access to the horse and working facilities that make success so much easier to attain.

Jean plans to update her website with photos of the sculpture as work progresses.

CAA members Jerry and Rita emailed me to say that they’d attended a car show in Connecticut over the weekend, where they saw several old automobiles with bodies built by Brewster & Co., the famous carriage makers.

They sent the following photos and said that “the gray one is an original-condition 1921 Brewster, and the others are 1925-27 Brewster-body Rolls Royce autos made in Springfield, Massachusetts.”

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Sevilla is rightly famous (and has been for a very, very long time) for the tilework made in the city.

These — a horse, two rabbits, and a bull — are some very old examples I saw in one of the many gardens at Sevilla’s royal palace, the Real Alcázar:

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After our visit to Luis Alba’s carriage-restoration workshop, we boarded the bus and drove the short distance into Lebrija to visit the showroom and workshop of Francisco Dorantes, who — with the help of several fellow craftsmen — makes beautiful handmade harness.

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the staff and craftspeople of Dorantes Saddlery; Francisco is third from the left, and his wife is to his left

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a beautiful new set of russet harness by Dorantes Saddlery

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The shop also restores old / antique harness and has done work for the royal family.

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We were allowed to wander through the showrooms and into the extensive library, which also features several old and exquite pieces of harness in clear cases. Then, we were given a tour of the workshop areas.

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collars in various stages of construction hang on the wall below the straw "loft"

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Francisco demonstrates the use of one of his antique tools for making part of a collar

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... and explains to the group how the tool (above) works and which piece of the collar it makes (I admit that I don't know the specific name, but it's the section of the collar wrapped in leather in this photo; the tool compacts the straw so tightly into that space and shape that it's as strong as wood)

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the shop is able to do its own casting of harness hardware; these molds were made from the hardware of a set of harness that was restored here

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all of the leather embossing is done by hand

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After our wanderings and tours and questions and answers, we enjoyed pastries and coffee in the main showroom, surrounded by more lovely examples of the harness makers’ art.

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