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In checking in again with Mr. Johnson, we find that he has left Granite Point and traveled through Lovelock’s Station, on his way to Rye Patch.

Upon reaching Rye Patch, he stopped at the train station, where he milked Bessie, fed her and his horse, Fanny, and chatted with the depot master, who asked about Mr. Johnson’s journey and his intention to walk across the country.

“[The depot master said,] ‘Well, stranger, I think you are a man of great nerve. It will take all you have got to cover that distance; you surely cannot do it with that outfit. The cow will not go half the distance. It is a fine looking cow, too good and handsome to throw away; you had better sell her at the first chance.’

“[I replied,] ‘Now, friend, let us reason together. Here I am with horse and carriage, cow and dog; both horse and cow are females. You say the horse may go through, but the cow may fail. Sir, my observation is that a mare is worth more than a horse in the market, so what reason can you show that the cow will fail before the horse? She has on iron shoes, so has the cow; both are well shod. The horse has the load to haul, the cow has none; there is the difference in the two. Now, I really think the cow will come out the best of the two; time will tell, however.'”

For the final (for now) installment in our collection of slightly offbeat photos of mid-nineteenth-century Parisian turnouts, we have a lovely dappled gray horse, put to a high-wheel racing sulky. That’s what the vehicle looks like to me, at any rate.

But if that is indeed what it is, I assume the driver was just showing it off … as I’ve never heard of anyone racing in a top hat.

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Today’s mid-nineteenth-century Parisian photo doesn’t contain anything as unusual as a hot-air balloon in the background. It’s a pretty straightforward photo of a pair of horses put to a light four-wheeled vehicle. But I love the casual way the passenger is looking at the camera, as if he’s saying: “Oh, why, hello … just noticed you there.”

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Here’s the next image from the book we found recently in the CAA library, which contains a fabulous collection of mid-nineteenth-century photos of Parisian turnouts.

Is that the driver of this tandem, floating over in a hot-air balloon to go for a drive??!

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I’m not sure whether the stuff on the street in this photo is rain or snow … it looks suspiciously like snow, although it could be rain and the “white” we see might actually be sunshine. A summer storm, perhaps? Nevertheless, the somewhat dreary mood I pick up from this photo matches our still-cool, dreary “spring” weather here today.

This photo was taken in Montreal, Canada, c. 1916. There are two work vehicles with teams (pairs) of draft horses; two men driving light, private vehicles to single horses; a couple of motorcars; and streetcars in the background.

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