CAA/CWF Symposia


If you’ve by any chance seen one of the previous three issues of the CAA’s (formerly annual, now biennial) World on Wheels journal, you’ll remember that it’s small (6 x 9 inches) and completely black and white.

Well, I’ve just finished this year’s — completely re-envisioned — issue. This issue consists, as usual, of articles taken from the lectures at the most recent CAA / CWF International Carriage Symposium. It’s larger than previous issues (8.5 x 11, 104 pages, perfect-bound) and filled with glorious color images from the symposium lectures. The articles in this issue cover a variety of topics: commercial vehicles, Austrian imperial vehicles, the evolution of European driving horses, an in-depth study of gender notions in the sale and use of carriages, and sumptuous hammercloths and interiors.

As a color teaser, here’s the wrap-around cover (back on the left, front on the right) for this issue …

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One of the ads I’m designing for the March issue of The Carriage Journal is a full-page advertisement our 2014 International Carriage Symposium (next February at Colonial Williamsburg). The focus of this fourth biennial symposium is carriage and wagon accessories, which includes lamps, livery, whips, etc.

In searching for an image to illustrate this particular ad, we went through Jill’s collection of Vanity Fair’s prints of famous coaching men. And we found this lovely print of Alfred G. Vanderbilt. You may remember him as the American coaching enthusiast who took his coach, the Venture, and eighty horses to England, in order to drive them on the London-to-Brighton road for several weeks during the summer of 1908. (You either already knew this or picked it up from yesterday’s tweets, right?).

He was a little too tall for my scanner, but I managed to scan him in two parts and stitch him back together quite nicely.

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Alfred G. Vanderbilt, from Vanity Fair

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For a lazy winter-time holiday, here are some scenes from Colonial Williamsburg. I took these in the late afternoon last Friday.

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On our free afternoon, several symposium attendees made their way to the wheelwrights’ shop to meet the artisans and see what they were up to.

On this day — and for quite a number of days lately — they were splitting white-oak logs for spokes. Several big trees had come down on Williamsburg-owned land during a recent hurricane, and the wheelwrights were the lucky recipients of this unexpected bounty. There are so many logs that they will apparently have enough split wood to last through several years’ worth of spokes.

They explained to us that they use white oak for spokes and ash (from the center of the logs) for hubs. Once split, each piece of wood has to dry for one year per inch of thickness, so a twelve-inch chunk of ash must dry for an astonishing twelve years before it can be made into a hub.

In the lean-to next to the wheelwrights’ workshop is the blacksmith’s shop, and we were able to peek in there as well.

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Yesterday morning featured several fascinating lectures, which I’ve summarized on Twitter (here).

During the morning’s breaks, everyone gathered for snacks and drinks and another stroll through the trade fair.

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Bowman Leather (Dan and his son Jacob) have a display of their lovely harness, and these handmade bits

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Louise Ellis makes beautiful jewelry from antique buttons, bridle rosettes, and poker / game pieces ... and braided horsehair (shown here)

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After the morning’s final lecture, we all had a free afternoon to visit the Colonial Williamsburg stables and the Historic Area and its trade shops.

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On my walk to the stables, I passed these 18th-c. men playing a game of horseshoes

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this Landau was built by Colonial Williamsburg in 1960; it was used (driven by Richard Nicoll) for HM The Queen's visit to Williamsburg in 2007

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this Demi-Landau was probably built in Philadelphia sometime between 1818 and 1840; it can be driven by a coachman or, with the coachman's seat removed, by a postilion

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... a close-up of the Demi-Landau

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the Riding Chair was basically just that: a chair on wheels

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in the harness room, I met this sweetie, who was lying on top of a bucket full of towels

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detail of a driving bridle in the harness room; I assume these bridles go with the Landau above, as the squirrel on the panels (below) is repeated here on the blinkers

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the Landau's squirrel

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in the aisleway of the stables was a display with information on Colonial Williamsburg's important rare-breeds program, including a live appearance by this, and one other, Leicester Longwool sheep, and several rare breeds of chickens

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After leaving the stables, I walked through town to the wheelwrights’ shop. I’ll post photos from that visit tomorrow.

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